La Furia Umana

E' in uscita il primo numero cartaceo della rivista la furia umana!!

Di seguito riportiamo l'indice del numero 1! Per info www.lafuriaumana.it

Segnaliamo particolarmente il bel testo di Paul Vecchiali su Zurlini, che fa seguito alla sua presenza al nostro festival per presentare "La prima notte di quiete" e "Cronaca familiare".

Nota Editoriale
Toni D'Angela Questioni di metodo <7>

Love Letters
Nicole Brenez À la source de la source / présentation <12>
Vladimir Perisic To Arthur Rimbaud <14>
Hamé To Alexandre Medvedkine <16>
Marylène Negro To Jacques Tourneur <17>
Bill Mousoulis To Roberto Rossellini <19>
F.J. Ossang To Jack Kerouac <21>
Eric Hurtado To François Augiéras <23>
Paul Vecchiali To Valerio Zurlini <25>
Carlos Vermut To Hiroshi Teshigahara <27>
Olivier Azam To René Vautier <29>
Marcel Hanoun To an unknown artist <31>
Summary
Javier Rebollo To Marcel Hanoun <33>
Bruno Muel To Mohammed Zinet <37>
Monte Hellman About Richard Lester and Curt Siodmak <38>
John Gianvito To Don Levy <39>
Jeanne Liotta To Hollis Frampton <44>
Régis Hébraud To Raymonde Carasco <46>
Peter Tscherkassky To Pat O'Neill <48>
Lionel Soukaz To Pierre Clémenti <50>
Jon Jost To Nathaniel Dorsky <55>
Laura Waddington To my father about The Battle of San Romano by
Paolo Uccello <57>
Gérard Courant To Emile Von Lassagna <60>
Pierre Léon To Hong Sang-soo <63>
Marc Hurtado From Myself to Myself <64>
Luis Miñarro To Naomi Kawase <68>

Confidential Report
Roberto Rossellini, James Benning:
space, ruins, and memory
Cristóbal Adam El transcurso en el suspenso. James Benning y Roberto
Rossellini <72>
Carlos Losilla Reencontrarse con Rossellini <78>
Alessandro Cappabianca Rossellini, lo sguardo che scava <81>
Toshi Fujiwara Ruins, Relics, Ghosts, and Strangers <85>
Maxime Renaudin Le regards de Pierre <90>
Doris Peternel Le cinéma de Benning et la mémoire de la peinture <93>
Luís Mendonça JB e o Comentário à Técnica em 13 Lakes e RR <97>
Enrico Camporesi James Benning e il cantiere della creazione.
Su Faces e Easy Rider <110>
Martina Bartalini James Benning: Two Cabins + 1 <116>

Joseph H. Lewis
André Balso Joseph H. Lewis, une vie de studio <119>
Fredrik Gustafsson On Pain and Anger In the Films of Joseph
H. Lewis <126>
Robert Keeser Joseph H. Lewis: Born into B Movies <130>
Santiago & The Lewis Brand: los westerns de Joseph H. Lewis <135>
Andrés Rubín de Celis
Fergus Daly JHL/JLG: Women and Money <149>

Prima Linea
Adam Cook Holy Motors (Leos Carax) <152>
Sarah Ohana Into the Abyss (Werner Herzog) <155>
Paula Arantzazu Ruiz Leviathan (Lucien Castaing-Taylor
y Verena Paravel) <162>
Kim Nicolini The Master (Paul Thomas Anderson) <165>

Histoire(s) du Cinéma
Will Scheibel Love on the Run. Nicholas Ray <178>
Angela Prysthon Artifício e utopia: uma política do frívolo.
Jacques Demy <196>
Noah Teichner Shinjuku Mad: Koji Wakamatsu and the 60s <206>
Paul Douglas Grant But for Them I Would Train... About Lino Brocka <211>

Bersaglio di Notte
Daisuke Akasaka フラッシュポイント (About Flashpoint by
Jean-Claude Rousseau) <222>
Rachel Kennedy A year's past: note on Terrence Malick's The Tree
of Life <225>
Mónica Delgado El "nepantla" de Fernanda Hussein (John Gianvito) <231>

L'occhio che Uccide
Therese Grisham Subjectification and Complicity in Fassbinder's
I Only Want You to Love Me <236>
Laetitia Kugler Just Like the Movies de Michal Kosakowski.
Mensonge mythique et vérité cinématographique <260>
Carlos Losilla Intervenciones#5. Ya no soy yo, me han
descubierto <266>

Flaming Creatures
Adrien Clerc Dé-visage, défigure... A propos de Performance et des
projections dans le cinéma d'Antony Balch et
William Burroughs <270>

Critique de la Séparation
Emmanuel Herbulot Art and Film: Questions to Edward Ruscha about
Michelangelo Antonioni's Visit in His Studio (1967),
the Ruscha Effect in Zabriskie Point (1968-70) <278>

The New World
Chloé Belloc Histoire d'entre-plis <288>